Random House and the Jackal are going at it and I can’t blame them. They are fighting over some very valuable territory. We’ve all read lots about trying to claim backlist ebook rights, about the conflict of interest in becoming an agent-publisher, about single-channel exclusives being a bad idea, blah, blah, blah. This turf war has raised a bigger problem:
Does it make sense to separate ebook rights from print rights?
It doesn’t—at least not if you’re the one who only has print. Here’s why.
In conferences and sessions we often discuss XML based publishing workflows…a concept I love, but I term I hate. Concept — content that is single sourced, marked up and is used to drive a plethora of end uses (i.e. pbook, ebook, web content, app, etc…). Why do I hate it? It is scary, maybe not to everyone, but to enough people in the “content business” that the term itself can often kill any hope of implementation.
Here’s why we need solutions that take the scary out of XML publishing workflows.
“What if everyone on Twitter read the same book at the same time and we formed one massive, international book club?”—Jeff Howe in One Book, One Twitter … aka #1b1t
That’s the concept behind One Book, One Twitter (#1b1t ), and I think it’s pretty awesome.
One Book, One Twitter is the brainchild of Jeff Howe (@crowdsourcing ), and here’s how it works
I had the good fortune to attend BISG’s meeting on Tuesday “Focus on ISTC” which was a supplement to Michael Holdsworth’s recent paper:
The International Standard Text Code (ISTC): A Work in Progress / A Supply Chain Perspective
The short message for Canadian publishers and data suppliers is that the US and UK supply chain is taking the ISTC seriously and that Canadian publishers should be familiarizing themselves with it too. You might need to be using it soon.
BookNet Canada is a non-profit organization that develops technology, standards, and education to serve the Canadian book industry. Founded in 2002 to address systemic challenges in the industry, BookNet Canada supports publishing companies, booksellers, wholesalers, distributors, sales agents, industry associations, literary agents, media, and libraries across the country.
