
Angry Robot—a British Sci-fi publisher—has recently made the headlines of some trade magazines by coming out with a subscription model for their e-books. Is the subscription model something that general trade publishing can act on?

Angry Robot—a British Sci-fi publisher—has recently made the headlines of some trade magazines by coming out with a subscription model for their e-books. Is the subscription model something that general trade publishing can act on?
Richard Nash needs no introduction but if he does you can do no better than to tune into the talk he gave at the 2010 BookNet Technology Forum. Nash has been re-imagining the business of publishing for some time and, in fact, left his post at Soft Skull to begin building that re-imagining.
Red Lemonade, his new project, is all about connecting readers and writers and has that social community goodness baked right in. There are no walled gardens here.
Does this on its own reinvent publishing?
There was a piece in the Wall Street Journal yesterday about Harry Hurt III’s upcoming e-book. Hurt sought out many sponsors for his book, which sounds like it involved a lot of travel (i.e., is expensive for the author to write). The sponsors gave him money, equipment and products in exchange for ads inside the book and “significant product placement woven throughout [the book’s] narrative.”
Will readers mind the advertisements in the book? Is it possible to work product placement into your narrative seamlessly?
BookNet Canada is a non-profit organization that develops technology, standards, and education to serve the Canadian book industry. Founded in 2002 to address systemic challenges in the industry, BookNet Canada supports publishing companies, booksellers, wholesalers, distributors, sales agents, industry associations, literary agents, media, and libraries across the country.